Here’s my review of the EP:
Illuminta is ultimately the best choice for track 1 simply because it immediately grabs the attention of the listener with a fast, but consistent riff and equally quick vocals. Illuminata maintains UT’s very urgent and somewhat desperate battle for self-control through a continually changing vocal style, that somehow manages to flow without any hiccups. The lyrics are articulate, deep and meaningful, and as always, littered with internal conflicts. And one cannot forget, a keyboard interlude to die for.
Track 2 is taken by The Eternal Shade Theory Part 1. There are 3 parts to the song, the second and third of which will appear on the bands third full length album. This is certainly a very electronic song shown by the intro alone. Stacey comes into the mix confusingly being soft, yet abrupt all at once. Through an effective use of layers that seem to echo key lines, the song is made to continue the frantic feel of Illuminata. The outro of the song is also reminiscent of older UT works. Lyrically, this song is autobiographical but twisted so as not to turn you away, but to drag you in and hold you fixated. An insight into Joe’s mind that only confuses and intrigues you more.
Now the covers begin, first with Good Evening, originally by Splender. With a short and simple intro, we get soon get down to business. Again, the use of multiple layers in all the right places, UT add their own piece of sorrow and eeriness to the song, whilst managing to remain true to it’s original sound. The lead guitar has been crafted well and does not try to steal the limelight, but instead remains a part of the song. With UT’s trademark voiceover finale, I can simply state, a job well done.
Next up is that song we all know, but can never remember. I’m talking about I’m Not In Love by 10cc. This one starts slow and lightly haunting. The vocals are just as light, soft and not overpowering, and certainly not trying to dominate the song. Throughout the verses, I can’t be sure, but I think I can hear some faint keyboard tinkering. Multiple harmonies fit smoothly and subtly into the background and work surprisingly well with faint voiceovers.
In fifth spot is Come Undone, originally by Duran Duran. A nice intro with synth and soon we’re into the thick of it. In this track, Stacey shows real vocal growth in my opinion compared to songs on their previous albums, and shows off her overal skill and vocal range with some beautiful, but fragile high notes. Joe shows his mixing prowess with multiple layers that cross but do not conflict. Likewise, the keyboards work in cooperation with the vocals, at times sharing the soaring notes, but never competing. I am very impressed with the way UT has managed to cover this song and have their own definite style flow flawlessly throughout.
I’ll have to admit, I was slightly nervous about this final cover, Head Over Heels by Tears For Fears. However, I was very relieved when I heard it. The band remain true to the song, maintaing, but slightly revamping the very well known keyboard, and lead guitar intro, with an added industrial sound. Stacey also sticks to the lyrical flow/style. UT adds a new darker and sometimes spooky dimension to this classic with industrial and synth effects, not over-powering. The chorus has a much less subtle electronic effect, perhaps slightly too much I fear, but that’s just my opinion. Overall, being a fan of the original and still enjoying this cover means it must be good.
All in all, 4 stars out of 5. Only missing one star because of the covers, although done remarkably unique, Joe’s lyrics are a key factor of UT.
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